ERIN MCCARTHY
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Collector of Untold Stories

Listening to students so they feel heard.

2/28/2021

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A plumber recently did work in our home. Listening to him as we were all in our separate corners of the house attending or hosting Google meets worried me. He loudly expressed concern and doubt. Was he ranting? Was he angry? No, definitely not. His concerns sounded valid, and I felt certain our sink was not getting installed that day. An hour later, he was gone. The job was done. All was good.
Middle schoolers or any child can sound like a ranting plumber. They loudly express their frustration. It's hard not to take their rants personally when we work so hard as educators to engage, differentiate, and support. 
We shake our heads when kids say they have too much to do. 
I've said it this year in exasperation. "You have no idea how much less I'm asking you to do than any other class before you!" (I'm human too. I want to be heard but being heard came at the expense of listening.)
We all want to be heard. We don't all want someone to solve our problems, but we deserve the opportunity and safe space to express our feelings.
Later I validated their frustration and assured them that their reality is valid because it is the reality they see.
My assurance that they can do more doesn't mean they will work harder in class, but as we reflect on the year, I hope they see that I believed in them. 
As an exercise in improving my ability to help students feel heard, I came up with 6 ways to improve how I LISTEN. 
  • Create many low-stakes opportunities for students to express themselves, share their perspectives, and be heard.
  • We all know what it feels like for someone to say, "how are you?" and not listen to the answer at all. Pre-pandemic, this was just a "hi" in disguise. Now we are afraid to even ask. Being intentional is as simple as saying, "I want us to start today by focusing on something positive." 
  • Being supportive as a listener doesn't mean offering ways to fix a problem. It can be as simple as saying, "I'm so glad you shared. Thank you." Holding on to judgment is empathy, and it opens the window so we can hear more.
  • At a time when the truth is under attack, many Americans participate in conversations poised for battle. This is not a way to make students feel heard. In a developing human, the context of their family and previous school experiences shape their truth. How they perceive a task- especially while living through the trauma of a pandemic, social upheaval, a reckoning for systemic racism and political unrest- is their truth. To complicate things, my students are making identity choices through this turmoil. We can't fix these problems for them, but we simply MUST accept it as their truth. (If we hear problematic language, hateful ideas, or harmful thoughts, of course, we must address these, but if we want to get to the root of these problems, denying that child's truth will not help. We have to call in, not call out.)
  • When trying to make a child feel heard, set aside the "teachable moment." When a three-year-old shares an artwork, you say, "tell me more about your art." However, as children age, our questions, even when open-ended, often have a follow-up that feels like judgment. Maybe this is why so many middle school parents report that their children NEVER talk to them about school or show them their work. I suggested to students that they start these conversations with their families. They thought the idea of sharing one thing about their day with a family member, unprompted, seemed impossible. "We don't talk," they said. Engage in a nonjudgmental way. This is empathy, and it is hard when "teachable moments" feel like your job.
  • I find action steps to be empowering. I frequently end a class investigation with the question, "What do we NEED to do with what we know?" Thank your students for sharing. Take time to reflect on what they've shared. Consider how their reality shaped their answers. Follow through in a way that reflects a child's ideas back to them. I am so touched when someone selects a gift because they really know my personality and interests. When someone shares a book title, podcast, or social media post because they know I'll be interested. These things make me feel accepted and like I belong. I feel heard. That's the goal. ​
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Curriculum: top down or grassroots?

2/15/2021

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Where do curriculum ideas come from and how do we stop telling the story of education that ignores educators?
For a course on learner-centered curriculum, I was given the assignment of visualizing the transformation of curriculum in America from Dewey to today's learner-centeredness. The problem I discovered was that the story of curriculum is often told in the monolithic top-down approach of most textbooks. Devoid of real social movement context and the actual reality of teachers in the classroom, what I had to work with was the history of ideas about education from philosophers.- white male philosophers. So I put women back in the story and in particular, women of color. This is a starting point and certainly not exhaustive but I'm sharing as an exercise in validation.
The evolution of curriculum from the Progressive Era to learner-centered approaches in 2020 is a story of expanding access to education and the ways education theorists contracted or broadened their focus on the learner as more voices demanded to be heard over time. This visual is grounded in the context of each time period and how it defined and redefined knowledge as the focus of education. The center of the graphic shows learner-centered ideas morphing over time, splintering, dividing, and reshaping. Finally, influenced by critical and feminist pedagogy, this visual includes a few of the voices left out of curriculum history, which focuses almost exclusively on white male perspectives for over 100 years.

Beginning with Dewey’s theories in 1917, progressive education introduced the idea that knowledge is made, not found (Pouwels & Biesta, 2017). Today Weimer describes a learner-centered approach that incorporates engagement, empowerment, shared control, collaboration, skill focus, and reflection (2013). Each element of this learner-centered approach connects to developments in curriculum theory. The progressive ideas about education are central to engagement, as theorists like Dewey believed that all children were curious, creative, and anxious to learn (Glatthorn et al., 2019). 
In the 1940s, functionalists saw the purpose of learning as preparation for successful adult life. Learner-centered approaches redefined the narrow mid-twentieth century definition of success to empowerment and self-direction. Other curriculum evolution elements influenced current ideas of empowerment, including Piaget’s understanding of developmental stages. In the 1950s, the application of developmentalism was conformity; however, in 2020, shared control of classroom responsibility and decision-making connects to developmentalism’s foundational ideas. In the shift from teacher-centered to learner-centered practices, the individual’s developing sense of self and responsibility plays an important role. The color of the visual changes from blue to green reflects a pivotal shift and new ideas.
The impact of postmodernism is evident in many elements of politics, society, and culture in the 1960s and 1970s, but in curriculum theory, it is most apparent in a splintering of ideas. Two ideas central to learner-centered practice that emerge from the 1960s are multiculturalism and critical thinking. Both are still present in our current focus on collaboration in classrooms. While many ideas are of value, and students should hope to acquire many perspectives, thinking critically and weighing evidence is also an essential trait of a modern learner. From the 1960s onward, access to education continued to expand for many groups as Brown v. Board of Education eventually led to schools’ desegregation. More women and people of color attended college. From the 1980s through today, the curriculum was influenced by many stakeholders seeking accountability, standards, improvement, specialization, and personalization. The learner-centered focus on skills is a by-product of decades-long focus on standards and the proposed testing to answer the accountability question. 
The final trend in this visual focuses on rethinking. In 2014 more children in the US educational system were non-white than white (Glatthorn et al., 2019). A focus on equity, global thinking, and twenty-first-century skills brings the evolution of the progressive emphasis on children as the center of learning into our globalized world. Learner-centered practice focuses on reflection. As students evaluate their learning, they also are challenged to connect to the world around them. The curriculum must evolve to allow this kind of reflection, and those influencing curriculum can do so by reflecting on ideas of equity and global responsibility. To do so, this visual introduces a final element, the voices of those left out.
Learner-centered theory connections
Education leaders cannot develop curriculum in a vacuum. This visual attempts to show the evolution of learner-centered thinking in the context of evolving theoretical frameworks. Context is essential to the understanding of the curriculum. However, Glatthorn excludes all but two women and all people of color. The four women included in pink at the top of the visual are just a fraction of the education influencers who have helped create the learner-centered practices we strive for today. These voices are included as an attempt to incorporate critical and feminist pedagogy. Critical pedagogy is focused on the transformative power of education to create a world that is more just by empowering students and teachers to transform (Agnello, 2016). Montessori believed education’s purpose is to help children discover their potential rather than simply impart knowledge (Lillard, 2019). Her theories fit well with Dewey’s and carried progressive child-centered approaches into the twenty-first century. The other women included in this visual helped create the conditions for inclusive classrooms. Cooper fought for her education and developed new pathways to self-determination for black women as a teacher and principal (Sule, 2015).  Bethune pushed for civil rights and women’s rights, representing both critical pedagogy ideas of overturning oppression and feminist pedagogy. hooks carries this tradition into the twenty-first century. Her theories expand the concept of engagement and self-directed learning by overturning power structures and calling for joy and pleasure in learning (Stanger, 2018).

Agnello, M. (2016). Enactivating Radical Love: Joe L. Kincheloe’s 10 Precepts of Teachers as Researchers. International Journal of Critical Pedagogy, 7(3), 68–78.


Glatthorn, A., Boschee, F., Whitehead, B. M., & Boschee, B. F. (2019). Curriculum leadership: Strategies for development and implementation. Thousand Oaks, CA: SAGE Publications.

Lillard, A.  (2019). Shunned and Admired: Montessori, Self-Determination, and a Case for Radical School Reform. Educational Psychology Review, 31(4), 939–965.

Pouwels, J., & Biesta, G. (2017). With Socrates on Your Heels and Descartes in Your Hand: On the Notion of Conflict in John Dewey’s “Democracy and Education.” Education Sciences, 7.
Stanger, C. (2018). From Critical Education to An Embodied Pedagogy of Hope: Seeking a Liberatory Praxis with Black, Working Class Girls in the Neoliberal 16-19 College. Studies in Philosophy & Education, 37(1), 47–63.

Sulé, V.  (2015). Intellectual Activism: The Praxis of Dr. Anna Julia Cooper as a Blueprint for Equity-Based Pedagogy. Feminist Teacher, 23(3), 211–229.

Weimer, M. (2013). Learner-centered teaching: Five key changes to practice. San Francisco: Jossey-Bass.



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Facing Fear in the Humanities

2/5/2021

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Photo by Waldemar Brandt
To be siloed means to be isolated.
It's a feeling many can relate to as the pandemic stretches into its second year. 
In education we argue against subject silos because we know deep learning happens when it is interdisciplinary.

I want to say I have a magic formula for how I created a project that combines psychology, sociology, economics, geography and history, but mostly it all just fell into place. The glue holding it all together is historical empathy. This is my third year successfully implementing a Civil War journal and like most of my ideas, it's much stronger now. 
Do my students love it? No. Most do not because it is stretching them and stretching can be uncomfortable. I can tell that it is what they need right now and here's why:

Our connection question is relevant: How do we deal with conflict?
​
Our essential question is relatable and helps them connect to what is happening in their world: How did the Civil War transform America?

Our geography focus: What is sense of place and  how does where you live affects who you are?

Our sociology/psychology focus is: What is self-identity and in what ways does our identity affect our perception, our decision-making and our behaviors?

Our economic focus is: How do scarcity and opportunity cost affect decisions?

As the Civil War begins, each student looks at scarcity and chooses a path for his or her character. What is the benefit of joining the fight and what is the cost?
What is the benefit of staying home and supporting the communities that must continue to survive and grow?

Along the way we analyze primary sources like speeches by Jefferson Davis and Alexander Stephens, who felt certain that as the leaders of the Confederacy they were patriotic heroes and not traitors. They felt 100% justified in their white supremacist beliefs and that history would admire their courage to start a new nation built on inequality and subjugation. We analyze how their context made them who they were and how their desire for power and supremacy made blinded them to injustice.

My students are maturing in a time of upheaval and change. They will likely chart a different course than those before them. Giving them a space to wrestle with questions about who they are by allowing them to experiment with historical fiction is part of pandemic learning. Ruini et al, (2020) found that when elementary children study fairy tales focused on fear their creativity develops at a faster rate than when they study happy or sad fairy tales. Fear is not a comfortable space to live, but in pandemic learning, denial of fear is dangerous. It is my hope that this exercise in unsiloed learning through creative historic fiction builds up a storehouse of strength for my students.

​Between stimulus and response there is a space. In that space is our power to choose our response. In our response lies our growth and our freedom. Viktor E. Frankl

Reference: 
Ruini, C., Albieri, E., Ottolini, F., & Vescovelli, F. (2020). Once upon a time: A school positive narrative intervention for promoting well-being and creativity in elementary school children. Psychology of Aesthetics, Creativity, and the Arts. 

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    Erin McCarthy is the 2020 Wisconsin Middle School Teacher and Wisconsin's Representative to the National Teacher of the Year Program.

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  • Blog
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